Experimental Music Love

August 28, 2008

Paul McCartney Makes Worst Decision Since ‘The Frog Chorus’

Filed under: Features — by Free Edinburgh Podcast @ 6:15 pm
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Mainly because no other music media has mentioned it, I feel I should bring to light the disgusting move by Paul McCartney to play a concert in Tel-Aviv, Israel. Just what the hell is he thinking? He’s probably the single most respected musician alive on the planet, with a huge amount of influence on, not just musicians and music fans, but on a celebrity obsessed society in general, yet he sees no problem in proposing an idea just as sordid and disrespectful as Queen playing South Africa at the height of apartheid or Morrissey’s want to perform in an Iran where public stonings of women are still commonplace. Powerful artists such as these mentioned are one of the few groups of people who can influence a wide section of the population’s way of thinking, and McCartney choosing to promote such a unashamedly intolerant, self-pitying, war-mongering, Bush loving government as Israel’s is incredulous.

What’s even more unbelievable however is how little reaction such an obscene event is causing amongst the western press. The BBC prides itself on being a fair reporter of events, yet still falters around shaming Israel for what legal, moral and philisophical wrongs they commit on a daily basis. Instead, the only controversy in the story is reserved for the banning of The Beatles from the country in the 1960s for fear they might corrupt the nation’s youth. Such a ridiculous notion has now thankfully been dismissed, but an even more fearful corruption is happening. The realisation of the truth behind the horror stories in the West Bank and Gaza Strip, where a 21st century apartheid is shamefully accepted, is now under threat.  This is a truth shrouded behind PR stunts and a west-embracing attitude that seeks to dismiss past failures to recognise pop culture and portray an image that can’t help but be appreciated by the common man. It’s a disgrace and the shame of a nation, and McCartney should be smart enough to say no. I just wish John Lennon was here to have a chat with his old friend.

Oasis – The Shock of the Lightning

Filed under: Single Reviews — by Free Edinburgh Podcast @ 4:42 pm
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OasisThe Shock of the Lightning

And the wait continues for a single with the immediate impact of Cigarettes and Alcohol or Live Forever.  It may have something of that aggressive progression of their earliest years, but it all amounts to nothing when the result is as dull a dirge as this.  Another disappointment.

3.8/10

Stephen Lynch – Liquid Rooms, Edinburgh 24/08/08

Filed under: Live Reviews — by Free Edinburgh Podcast @ 4:27 pm
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Something special.

Something special.

AIDs, Nazis, racism, Catholicism, mocking the disabled and Freebird by Lynyrd Skynryd. It may read like a list of humanity’s greatest disasters, but such controversial subjects fill the set list of Stephen Lynch as he took to stage as one of those incredibly rare feats of culture – a musical comedian whose wit is as honed as his skills at guitar.

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Final Couple Fringe Reviews

Filed under: Edinburgh Festival,Live Reviews — by Free Edinburgh Podcast @ 12:50 am

And everything can be found at http://edinburgh.threeweeks.co.uk/browse.asp?uid=2070271453&cnt=all as well.

Music

Big Band Swing Sensation
That Swing Sensation
It’s a Saturday night and everyone’s in their Sunday best to go to church and enjoy a set of big band classics. The setting does hamper almost all ability to enjoy the music however, with terrible acoustics providing for a distant performance that sees the blast of the brass lost on many. The vocals too are barely audible, though that might have been for the best. Singer, Kenny Patterson, is introduced as “suave and sophisticated”, but is less Frank Sinatra and more Frank McAvennie, with lurid jackets and smarmy smiles. He may have you under his skin, bur he’s more likely to make your skin crawl. There are some fabulous musicians here, but they should stick to instrumentals classy joints.
St. Andrew’s and St. George’s Church, 23 Aug, 7.30pm (9.30pm), £10.00 (£8.00), fpp 142.
eml rating 2/5

Theatre

Lament For The Little Boats
Land and Sea Theatre Company
192 fishermen died in the Eyemouth Disaster of 1881 after a terrible storm wreaked havoc on the east coast. Taking inspiration from a pub dartboard that commemorated each lost boat’s name on its shutters, this is local lad, Harold Purdie’s dramatic tale of that tragic day. With a scene-setting prologue from Prof. David Purdie, the audience come to realise the full peril of the sea. It’s then up to a group fisher lassies to perk things up with some lively traditional singing, before the full tragedy unfolds through a particularly dramatic monologue and choir. It may be muddled in parts, but you’ll leave ruing the full of horror of that day.
Nicolson Square Methodist Church, 25-28 Aug, 7.30pm (8.45pm), £10.00 (£8.00), fpp 210.
eml rating 3/5

The Maybes? – Summertime

Filed under: Single Reviews — by Free Edinburgh Podcast @ 12:44 am

The Maybes?Summertime

It may last as long as the summertime we had up here, but its 3 minutes will see a wonderful blast of Scouse sunshine brighten up the dreichest autumn. Continuing a fine form of flawless singles, it must only be seconds now before The Maybes become certainties for success.

8.9/10

Biffy Clyro – Mountains

Filed under: Single Reviews — by Free Edinburgh Podcast @ 12:42 am

Biffy ClyroMountains

There was a time when Biffy Clyro were an exciting punk band on the Scot rock scene, unafraid to keep to the bare rock instincts to inspire a devoted following. To see them reduced to such uninspired analogies for the sake an undeserved pretension is near unbearable.

3.2/10

Glasvegas – Daddy’s Gone

Filed under: Single Reviews — by Free Edinburgh Podcast @ 12:37 am

Glasvegas Daddy’s Gone

A year has passed since its original release, but it’s as tragically brilliant as ever. Tackling all too real subject in such honest, near brutal ways is what sets Glasvegas apart from the Biffys of the world, lost in their vague metaphors and tedious musicianship. Buy it again.

9.6/10

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